mega-what.com : Megalithic sites + Whole Horizon Analysis = Prehistoric Horizon Calendars

Whole Horizon Analytical Tech­niques show that mega­lithic monu­ments do mark luni-solar cycles. All the way around. Can You See It?

It is commonly believed within western society that mega­lithic monu­ments point at some simple event such as sunrise or sunset on a day such as a solstice or an equinox. Occasionally this happens to be true but mostly it is not. In any case, why would anyone bother to expend all that energy to mark a two minute event and nothing else? They did not. They were far more clever than that.

Whole Horizon Analysis demonstrates quite clearly that all prehistoric monuments were built in places where the relationship between sky and horizon shape marked and mapped the whole luni-solar pattern. Axial alignments are therefore a secondary characteristic, properly understood only within the context of place.

Suppose we believe that a particular monument has an association with the equinox and we wish to be there for it. How do we know when to be there? We consult calendars and clocks of some sort. In other words, we are dependent on the know­ledge of experts. In the case of modern society this would (ultimately) be astronomers and scientists. We then rush to be there for a short time.

Suppose we are a prehistoric person and also suppose that our society had an equinoctial festival / gathering. How would we know where to go and when to go there? Word would come to us from those with knowledge. They would be the priests / astronomers / navigators. The festival would probably last some time, maybe a couple of weeks, perhaps a whole moon on special occasions and we would be given sufficient notice for timely arrival. However: it seems unlikely that we, as normal people, would have any understanding of the placing or alignment of the monument.

It also seems unlikely that such a public event would happen at a monument site. Close to one perhaps. Why do I say that? Because people are messy. They break things, they lose things, they light fires and trample the ground. Yet excavated megalithic ritual sites have yielded little in the way of finds and have been totally devoid of occu­pational debris. I would therefore suggest that the monuments were reserved for the priestly class and their nightly devotions. Yes, nightly. From sunset to sunrise with particular attention to the rising and setting positions of sun and moon but everything else as well. The stars obviously, because the stars are the ultimate reference when attempting to understand the heavenly powers that control our earthly existence.

So how would these priestly navigators know when a significant event would occur and when to call the people to it?

By observations from the monuments and the vicinity of them. Places particularly chosen because there was significant relationship between landscape profile and celestial rising / setting positions at that exact place that enabled understanding of celestial patterns. Additional relationships between monument architecture and significant orientations frequently occur as well, possibly as a sacred requirement but more likely a practical one.

This research project shows that all prehistoric monuments were sited and designed with an understanding of the annual solar pattern, the moon's 18.6 year lunistice cycle and the relationship between them that enabled eclipse prediction. By observing rises and sets from any megalithic monument they could know exactly where they were in the approximately nineteen year luni-solar cycle and thus predict coming events.

How can I say this with certainty? Because I have surveyed the whole horizon from a large number prehistoric sites. These surveys are more accurate than current computer models, particularly at shorter distances and the shorter distances have proved to be important. In particular, it may be said that the surveyed fit between sky patterns and local (c.20m) landscape has always proved to be significant and greater precision may possibly specify the exact placement of individual features.

By comparing standardised data from many sites it is possible to begin to see just what our prehistoric ancestors were doing. Statistical analysis of this data clearly demonstrates a non-random relationship between horizon and sky but the under­standing of it requires close study of many examples as well as time spent watching sun, moon, sky and landscape in real time. Because this is a different way of looking at the natural world. You don't just stand there and say "it missed the mark", you can move and measure the difference.

"What about the trees?" I hear you say!

Yes, the difference between modern and prehistoric tree cover does need to be considered but do try to forget your pre­conceptions. The differences are potentially computer model-able and can in fact be estimated by an eye guided by knowledge of the previous colonisation of a territory. Consider the evidence presented in this website and begin to see another way of looking at the real world:

Have you ever payed attention to the way the shape of the horizon changes and the way its relationship with the sky alters as you change your own place? To exactly where monuments are sited in relation to the views from them? Probably not; but it is a useful and learnable skill that once gained is both revolutionary and unforgettable.

At all prehistoric ritual sites surveyed in this study:

We can only look at what they did, estimate the overall patterns and guess the details. More survey data and better computer models will help our understanding but the evidence presented here clearly shows that the prehistoric monuments of north-western europe were astronomically sited.

They mapped the tropical rise and set patterns of the sun and of the lunistices of the moon Lunistices are the most northerly and southerly moons of the month. The lunar equivalent of solstices. More. plus the true north-south axis of celestial rotation. Never perfectly but with some artistic / technical scoring system of acceptability that we may hope to recover.

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© Michael Wilson.